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Red and White Japanese Cranes PosterIn Japanese culture the crane is a symbol of longevity, fidelity and good fortune said to live for a thousand years, appearing in origami, Noh theatre, and centuries of woodblock prints. This poster renders the crane in bold red and white with the graphic confidence of mid century Japanese design: flat planes, precise edges, nothing unnecessary. Works in a living room, a bedroom or a hallway for anyone drawn to Japanese aesthetics and what they carry.

Piatti's Jayes poster brings his signature animal graphic to a British product with the same bold form and vivid colour that characterises his best work

working with the confidence of someone who had nothing left to prove

unprocessed

The Golden Pheasant is among his most celebrated works: technically staggering

The New Yorker Valentine's cover from February 1973 — a pair of hands holding a single rose against a white ground

it produced more influential work per square metre than almost any institution in history

Pairs naturally with the Cin Cin and Oyster Club prints

One of his most quietly powerful drawings

the light already doing the emotional work that would later come from pure colour

A yellow-striped coffee mug in a square frame — small

Not as darkness or absence but as light — he discovered that black surfaces

spiralling toward each other

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