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yet my Dark sides True'yet my Dark sides True' is part of Situated Knowledges: Organism, Plantationocene, Biopolitics a multidisciplinary and multimedia body of research based artwork. Terrains and infrastructures across Scotland are mapped and viewed through a semi fictional lens to actively engage with ecological and technological perspectives and issues.

Big Boots presents a psychologically charged scene where memory

These landscapes suggest the instability of experienced events

full of depth and movement

This piece is an ode to my nostalgia and to traditions such as embroidery which hold a deep-rooted importance in preserving the vibrancy of our culture regardless of external influences

His art aims to create a vital record for those living presently

it looks to make a terrain out of the juxtaposition of bodies and materials

fitness routines

geology and environmental science as I was making this painting

throughout cultures & throughout centuries

Perpetual and performed masculine victimhood in the age of podcast microphones and conservative views of immigration creates insecure men afraid of invisible enemies- migrants

What the painting holds is not the death itself

The "both/and" is both fixed and flexible and is a necessary positionality to engage with these quantum works where the poesis of meaning can be recalculated and reconfigured with each passing moment

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