What has left since we left: Six takes on Europe

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What has left since we left: Six takes on EuropeWhat has left since we left articulates the fictional end of Europe with the language of love and separation. Likening the political bonds that tie together European countries to the fluctuations of romance and desire, the book unpacks the complexities of the European relationship by touching on ideas of identity, collapse, migration, conflict and hope. The book features contributions by Aye Zarakol, Marwan Moujaes, Federico Lodoli, Marina Lalovic and

plays a special role within his compositions

Their installations explored the relationship between art

they make a photographic contract: Coco poses for him and Fatton documents her gender adjustment

creation and administration

She notes:

Published on the occasion of the major exhibition Nathalie Djurberg & Hans Berg: The Secret Garden – curated by Louise Neri and Juliana Engberg – at the Australian Centre for Contemporary Art (ACCA) and the Perth Institute of Contemporary Arts (PICA)

all I miss is you and the sun

In the age of Facebook

' – Excerpts from an article by Shane Reiner-Roth on Architect

A Wild Thing attempts to identify and describe these often intangible qualities

The Awful German Language embraces a state where the combination of word and photograph can resonate or remain dissonant and confused depending on the individual reader

deepen your thinking and experiences

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