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Out of ClayI imagined my house and I built it out of clay Touch sits in the intersection of memory and physicality. I remember touching; warmth, pressure, presence. I remember being touched,the comfort of a hand, the brush of a finger. Clay remembers, too. Fired clay holds touch forever. Its surface is a map of caresses sealed in fire. Each vessel is a body shaped by longing, a fossil of tenderness. I will build a home from these traces. A home embraced with

where the sky offers a distant sense of peace and freedom

This painting came from a failure - it's common to change ideas when painting

I like how this old visual form can still capture and express something of our brains that is the sum of all our experience

embracing both anticipated and serendipitous cause-and-effect relationships

I transform abstract ideas into immersive experiences

in particular the juxtaposition of her power to give birth and end life through disease or harsh conditions

Colour acts as a rectifying agent

near Rhayader

This painting is an experimental visualisation of ongoing research on cymatics

I am interested in conveying a sense of being human in an increasingly man-made world - the way people occupy public spaces

organs evolve not through mutation but as responses to psychic overload: stress

‘Swirl’ was inspired by the enjoyment of drinking iced drinks during summer and the implicit eroticism of drinking from a straw