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HomecomingThe work is part of an ongoing series shaped by loss and the slow process of letting go. The materials are gathered and lived with. I use plants collected last summer in Poland yarrow and weldcombined with iron and raw silk. These elements carry histories of healing, transformation, and decay. Iron deepens the dyes but also introduces instability; the surface continues to shift over time, like memory. The series reflects on ephemerality and the quiet

Bridging Western science with traditional knowledge systems it aims to develop patterns that stimulate consciousness and interspecies communication

for me the title is what i see

distant sounds and the warmth of the sun at 4pm

When displayed out of context

cultural heritage

and the visual codes used to rationalise complex

Familiar yet alien

These speculative forms filter not blood

or ways of being

I am interested in conveying a sense of being human in an increasingly man-made world - the way people occupy public spaces

This work is from my ‘Where the Blood Runs Wild’ series

it suggests a deeper connection between natural forms and the unseen forces that shape them