Karl-Heinz Adler - Art in the System. The System in Art.

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Karl-Heinz Adler - Art in the System. The System in Art.At the end of the 1950s, Karl Heinz Adler began to reinvent himself as an artist. He arranged fanned layerings of the same geometric elements, constructivist collages of interpenetrating rectangles, and laminations of transparent film, later followed by large scale serial linear forms. His art was rejected in the GDR, even if it had a direct influence on the everyday life of many people in the new housing developments. In 1968, together with his

Tracy Mackenna & Edwin Janssen are interested in the relationship between conflict

as well as the increasing demand of tailored art practices providing institutions and administrations

made possible through the democratisation of artistic means and software such as word art

Barbara Kasten

which primarily serve only hard liquor

at least in its current manifestation

Politics of Feelings / Economies of Love is a publication that brings about a set of reflections on the possible relation between ideology and social emotions

their collective and participative nature

he published his legendary “Movie Journal” column in The Village Voice

Heidi Specker gives Le pigment de la lumière a heightened sense of presence in her photography

Photography

Drawing on two distinct

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