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Avant-scène opéra (L'), n° 256. Alceste Christine Beigel qui le compara un jour

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Avant scène opéra (L'), n° 256. Alceste Christine Beigel qui le compara un jour qui le compara un jour à un "cyclone figé" Comment échapper au dilemme entre une adaptation plus ou moins libre (une belle infidèle) et une version interlinéaire il avait été délibérément conçu comme le manifeste du nouvel opéra italien Présentation et texte des deux versions de cet opéra représenté pour la première fois à Vienne en 1767

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