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MirrorMirror (2025) explores the paradox of reflection and disintegration. Inspired by Vanitas painting, narcissistic myth, and alien anatomical structures, this ribcage like ceramic sculpture is coated in metallic glaze to evoke a seductive, almost liquid surface. From the front, it resembles a monolithic mirror; from the side, its interior is exposed hollow, sharp, and fractured. The piece invites viewers to see themselves, but only through distortion,

emotionally charged paintings

is inherently subject to decay

I have a fascination with places that have many lives

Having done a watermelon

crafted from plaster and metal

This particular work was selected for a group show early this year at Shoreditch Modern Gallery in London

we will think about the discipline and shaping of our perception by the media

quivering between decay and disappearance

the Taplow series investigates the interplay between light

the work invites us to explore our relationship with symbols of luxury and to question the origins and histories of these materials

in street names

the artwork plays with movement of the forms