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OK OKThis painting came from a failure it's common to change ideas when painting, to find out what it is through its' making, wrong turns and all and kicked off my London Vernacular series. The LV works consist of shapes, colours and recollections of architectural or signage that catch my eye on walks around the studio. I never listen to music on headphones when walking as it creates a barrier to the world around me. I like to see, hear and be aware of

Held Taut shows a figure caught in tension

It draws from the era of scientific illustration

Arte Povera or Minimalism have become guides

geology and environmental science as I was making this painting

unintentional rips – are reimagined as deconstructions of traditional forms

while attending the dressing of my father’s deep tissue injury

The work meditates on the fragile balance of memory

This image isn’t about the place

A burning world

Building on this earlier work

which challenges the privileging of human existence over that of nonhuman objects and emphasizes the equality of all object relations

blurring the line between painting and sculpture