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Lisa Spilliaert ‘Time and Tide’In selecting the photographs for this publication, Lisa Spilliaert (b. 1990) was adamant that the image of a sunrise should be among the first in her book. It is, indeed, an emblematic image. For anyone with a camera, such a splendid sunrise is an irresistible trope: a visual motif that simply begs to be captured and fixed on film. In reality, however, the magic of this scene resides in the fleeting, subtle changes in colours and vibrations. This is

Posture Editions produced a multiple: the OEI sheet

With the support of S

The sketches are somewhat similar to those made by other architects because of the speed with which they were made and the explanatory context that characterizes most sketches by architects (Aldo Rossi

They show how in the Western tradition beauty was defined by the sublime

03 - 09

Instead of an art that functions through strong and collective reference frames

the concept of creating copies and paying homage to great works has deep historical roots

claiming that in the case of a theory of the double

hers is a century of self-flagellation

in: Habla/Dice

The book is illustrated with numerous

the magic of this scene resides in the fleeting

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