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Coaling crane base, Canon's Marsh 1979Shot along Bristol's harbourside between 1978 and 1983, The Harbour chronicles a period of significant change for the city which reflects the wider experience of loss and regeneration in Britain at the time. After centuries during which the harbour was a central hub of the commerce of the city and great generator of its wealth, through fair and foul means, they had largely fallen silent. The end of that working life in the late sixties to the mid

Wood revisited this work during the lockdowns of the 2020 pandemic and added in seven additional years of photographs from subsequent visits to Ireland

He would return home to Ireland annually

who encouraged Siegieda to publicise the work more widely

The photographs in McDiarmid’s new book were shot predominantly in London

passed from owner to owner

Originally built for the servants of Buckingham Palace

Beijing International Photography Biennale

sequencing and tonal qualities of the original photogravures

Documentary photographer and visual anthropologist Janine Wiedel was born in New York and has been based in London since 1970

whites and blacks dominate

further reinforcing the tree as a subject for photography

at dog shows and railway stations

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