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ZilantMaterials: cotton synthetic (natural dyed), vintage silk, vintage pan velvet. About the work In The Beast, Zulfiya Spowart reinterprets the imagery of Persian miniatures to explore corporeality as a site of internal struggle. Abstract forms evoke battles between order and freedom, reflecting the tension between personal identity and cultural expectations. Clothing, here, becomes a symbol of both societal constraint and individual expression.

Weaving the Past with the Present: Folklore Echoes

camera-less cyanotypes on paper

Nothing here is pixel-based or rendered by machine

elusive traces of identity shaped by memory

Both as photographs and a performance

as I consider them to be portraits of a sort (much more than they are landscapes)

The piece uses humanities natural tendency to see faces in inanimate objects to question the value of ancient artifacts and confront our own mortality and aging process

and belonging

The idea was to redefine beauty

reshaped and painted with pigments and marble dust to embody a weathered

as though excavated from the ruins of antiquity

memory and loss

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