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Jan Philipzen / Ravedeath ConventionStarted as a visual diary, Ravedeath Convention soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all embracing blend of subcultres as a fundamental feature of our times. The first pictures taken at age thirteen, this series of black and white

Twelve enigmatic images comprise this series by Belgian photographer Tom Callemin

interiority and intimacy that can be shared with someone

constantly sharpening our sense of improvisation and reinvention on the spot

As uninvited guests

they’re just alluded to throughout

It is a matrix we will never leave

which we proudly present as the second MVSC Cahier at Design museum Gent

Intimate private photographs break through the seemingly objective approach so that public and private space spill over into each other

Within these locations

I chose to design various spaces or materializations of various states of being

the collages show us that love is versatile

where one is no longer the sum of their actions