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Split Ash BowlCarved from a stump of Ash that suffered die back, following the trunk profile and integrating a sizeable split ingo the form along with a ring of bark complete with worm holes. The surface grooves were hand sanded to produce a soft ridged texture. Then oiled and waxed. The work is inscribed with the coordinates of where the timber was discovered and its species, anchoring it to a specific location where for many decades the tree defined its urban

Exploring the evolution of visual ideas across media and surfaces

"Poimandre" is a deity in this text who is described as an all seeing mind

while the bare

connection with planet Earth

but essentially my work emerges from the physical process of painting

Triple Exposure Photography using Agfa Isolette 1 from 1951 with expired 120film

Their urgent movement toward light under gravity’s pull mirrors the resilience and struggle inherent in human life

This mixed media sculptural painting uses hand-dyed synthetic feathers to create a richly textured

as a tangible object

Rather than digitally blend the images

(particularly the occult influence of Elizabethan astronomer & advisor

patinated steel offset by intricate weavings of upcycled silks