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Palpitating StillPalpitating Still is continuation of my work with imagery of anatomical hearts, which began in 2017. I freeze the glass hearts before firing them in my kiln. The gesso hearts bring to life a material often overlooked. I also give a second change to vintage plates. In a world wounded by war, climate crisis, and economic instability, I created this piece with the coziness of a grandmother's house in mind: kitsch plates on the walls, cake, warmth,

against an old Irish High cross - This is not what it is of course

Abstract forms evoke battles between order and freedom

between desire and restraint when we are with an object that must be merely observed and not handled

Plantationocene

Emerging from my ongoing Mountain Rocks project

When copper is exposed to high temperatures

Inspired by the textures and patterns of birch bark - combination of paper- thin layers in some areas

scattered details invite closer looking across a wide space

generative process of fountains

Thinking about carved hearts on trees

the digital promise of precision feels fragile

diaphanous mask is double UV-printed onto glass