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Dark Waters'Dark Waters' explores a state of loss and turmoil, the sea scape acting as a metaphor for the unknown. The painting depicts a raw, fin like tongue, wading in an uncanny space that elides the internal and external. Thick, rough teeth or iceberg like forms sit on the horizon, acting as a threshold to a bleeding sky. The raw figure appears both fragile and resilient, both victim and architect of its own fate. It floats on mottled waters, dotted in tiny

The image is painted in washes of oils and pigments on linen

Helena Lacy layers and reinterprets classical blue and white porcelain imagery

crafted from plaster and metal

its petals revealing the profiles of adult faces

'Beach — Pier — Inivea' is rooted in the cleared village of Inivea on Scotland’s west coast

and turning these connections into a visual experience

gaping form

Each piece bridges the space between rock and flesh

the thing that moves us forward far more than the knowledge desired

what stays and what parts get lost or taken when the storyteller is no longer present

It is the culmination of a project focused on researching former mining sites across the UK and Ireland

in which four sources of vibration alter the form of a cloud in a sealed environment (sphere)