Maroussia Prignot & Valerio Alvarez / Here, Waiting

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Maroussia Prignot & Valerio Alvarez / Here, WaitingA photographic and collaborative work in a Reception Center for Asylum Seekers. In 2015, when a refugee camp settled in the Maximilian Park in the center of Brussels, Maroussia Prignot & Valerio Alvarez decided to work together around a photographic project on the issue of asylum and the reception given to it in Belgium. They went to a reception center and got permission to enter and meet the people who are waiting for a response from the General

intricate patterns become joyful optical noise that suggests contemporary reference points: television static and cathode-ray tube glitch art

Michael Blaser’s artistic concerns centre on the unspectacular

Painting over it is a possibility but if you have finally decided to enter into this commitment

Claude by her side till the end

Jonas Althaus

the group enforces confrontation with an audience and a public space

Sébastien Reuzé’s Soleil explores the omnipresence and pervasive beauty of this motif

” (Dazed Beauty)

The project follows a year of excavation at the Colinas de Santa Fe mass grave in the state of Veracruz—a site that emerged from the staggering number of forced disappearances in the country and is considered one of the largest clandestine graves discovered in recent Latin American history

italicized and sans serif F in the title of this book refers to a north-northeasterly wind of 20 knots coming from the direction of the flag and passing exactly between two nearby museums

As Lai states it: “I feel a strong connection with the nostalgia that ties me to the esthetics of the past

The result is a fascinating collection of cutlery

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