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Manuel Burgener – SummarySummary by Swiss artist Manuel Burgener is a companion piece to his 2018 Manor Prize show at the Kunsthaus Pasquart in Biel, Switzerland. The idea behind this artists book is to undertake a fundamental examination of the purpose of an exhibition catalogue. It asks whether an artwork, especially a sculpture, can be documented at all in the form of a readable depiction. Burgener claims that photographic documentation fails to encompass the ambient space

With his little Canon he could shoot away without intention

native Australian possums

beginning in July 2014 when the glacier was covered in fabric

The endless photographic stream that characterises the digital space may well have entrenched itself as commonplace vernacular and communicative form

their lives on hold

Contributing writers: Edo Dijksterhuis

authenticity and artifice

their potent brand of schnapps

part of that special zest for life

Walter Peterhans

works and projects around this topic

Cindy Sherman